A village pageant, a stolen pearl necklace and a body in an antique sedan chair are the main ingredients in Victor L. Whitechurch’s enjoyable 1930 murder mystery Murder at the Pageant.
Victor L. Whitechurch (1868-1933) was an Anglican clergyman and a popular writer of both spy fiction and detective stories. He is best known for his Thorpe Hazell short stories dealing with railway crimes (these stories and Whitechurch’s other railway mysteries and thrillers were included in Coachwhip’s excellent volume of a few years back The Thorpe Hazell Mysteries: And More Thrilling Tales On and Off the Rails.
This is a country house murder mystery but not quite a typical example because there is the real possibility that the crime was an outside job (although it is by no means a certainty that this is the case). The list of suspects is not necessarily limited to the inhabitants of the house and their invited guests.
The mystery begins in the aftermath of the pageant held in the grounds of Frimley Manor, the seat of Sir Harry Lynwood. The pageant, devised by Captain Roger Bristow, has been a great success. One of the highlights had been the re-enactment of the arrival of Queen Anne at Frimley Manor in 1705, utilising the exact same sedan chair in which the monarch had made her entrance.
The night after the pageant brings tragedy. Captain Bristow discovers the body of one of Sir Harry’s tenants in the sedan chair. The unfortunate man has clearly been murdered. The following morning reveals that this was not the only crime committed that night - Mrs Cresswell’s fabulously valuable pearl necklace was also stolen. There was a third minor crime as well - the vicar’s car was stolen, and it was that car that was observed leaving the murder scene.
Finding a connection between these crimes will be a challenge to Superintendent Kinch.
There are two crime investigations in this story, one official and one unofficial. Superintendent Kinch, a very competent officer, heads up the official police enquiry. Roger Bristow conducts his own investigation, although we’re not quite certain how far his aims and Superintendent Kinch’s coincide. Kinch and Bristow are keenly aware that they are engaging in parallel enquiries and they’re content to do so - it’s a fierce but friendly rivalry.
Of course it’s very common in golden age detective fiction to have parallel investigations like this with a private detective or an amateur sleuth competing with the police. Murder at the Pageant is a bit different. Bristow is a former Secret Service man and there’s really no such thing as an ex-spook. It’s possible that Bristow may have some official or semi-official reason for taking an interest in the case, and we certainly can’t ignore the possibility that he knows a lot more than he appears to.
Although Whitechurch’s mystery novels were written in the 1920s and early 1930s his career as an author began as early as the very start of the 20th century and his successful crime short stories appeared before the First World War. This means that while he was writing during the “golden age” detective fiction he was not actually of that age. He does not necessarily conform to the conventions we associate with that age. In fact he breaks several of the cherished rules of the golden age detective story. To some readers the breaking of these rules might well seem to constitute an infringement of the principle of fair play.
Whitechurch loved trains so it’s no surprise that railways (and railway timetables) play a part in the story. There are some elaborate alibis and there are most of the features one expects in a golden age mystery, and the fact that it breaks some of the rules does make it more of a challenge to the reader.
The pageant itself adds colour to the tale. There are vital clues provided by details of sixteenth century costume.
Murder at the Pageant is on the whole lightweight but rather delightful. Recommended.